‘Abd al-Jabbar ibn Hamdis (1055-1133) survives as the best-known figure from four centuries of Arab-Islamic civilisation on the island of Sicily. There he grew up in a society enriched by a century of cultural development but whose unity was threatened by competing warlords. After the Normans invaded, he followed many other Muslims in emigrating, first to North Africa and then to Seville, where he began his career as a court poet.
Although he achieved fame and success in his time, Ibn Hamdis was forced to bear witness to sectarian strife among the Muslims of both Sicily and Spain, and the gradual success of the Christian reconquest, including the decline of his beloved homeland. Through his verse, William Granara examines his life and times.
The documents edited by H. Şükrü Ilıcak in Those Indel Greeks comprise the English translations of select documents from the Ayniyat Registers on the Greek War of Independence preserved in the Ottoman State Archives. The primary importance of these documents is that they are a clear testimony of the larger imperial context in which the Greek War of Independence evolved and proved successful. The mass of information they contain is immense and allows the reader to follow on an almost day-to-day basis how an empire tried to suppress a national uprising—the rst of its kind in the early nineteenth century.
Contributors: Çağrı Erdoğan, H. Şükrü Ilıcak, Nikola Rakovski, Mehmet Savan, Kahraman Şakul, and Aysel Yıldız.
This is a co-publication with the Aikaterini Laskaridis Foundation.
The Thousand and One Nights does not fall into a scholarly canon or into the category of popular literature. It takes its place within a middle literature that circulated widely in medieval times. The Nights gradually entered world literature through the great novels of the day and through music, cinema and other art forms. Material inspired by the Nights has continued to emerge from many different countries, periods, disciplines and languages, and the scope of the Nights has continued to widen, making the collection a universal work from every point of view. The essays in this volume scrutinize the expanse of sources for this monumental work of Arabic literature and follow the trajectory of the Nights’ texts, the creative, scholarly commentaries, artistic encounters and relations to science.
Contributors: Ibrahim Akel, Rasoul Aliakbari, Daniel Behar, Aboubakr Chraïbi, Anne E. Duggan, William Granara, Rafika Hammoudi, Dominique Jullien, Abdelfattah Kilito, Magdalena Kubarek, Michael James Lundell, Ulrich Marzolph, Adam Mestyan, Eyüp Özveren, Marina Paino, Daniela Potenza, Arafat Abdur Razzaque, Ahmed Saidy, Johannes Thomann and Ilaria Vitali.
Most observers of Iran viewed the Green Uprisings of 2009 as a 'failed revolution', with many Iranians and those in neighbouring Arab countries agreeing. In Contesting the Iranian Revolution, however, Pouya Alimagham re-examines this evaluation, deconstructing the conventional win-lose binary interpretations in a way which underscores the subtle but important victories on the ground, and reveals how Iran's modern history imbues those triumphs with consequential meaning. Focusing on the men and women who made this dynamic history, and who exist at the centre of these contentious politics, this 'history from below' brings to the fore the post-Islamist discursive assault on the government's symbols of legitimation. From powerful symbols rooted in Shiʿite Islam, Palestinian liberation, and the Iranian Revolution, Alimagham harnesses the wider history of Iran and the Middle East to highlight how activists contested the Islamic Republic's legitimacy to its very core.