In NYR Daily, Robyn Creswell reviews the exhibition Technologies of the Image: Art in 19th-Century Iran, on view at the Harvard Art Museums through January 7, 2018. The...

A rare album of artists’ drawings, preparatory sketches, and more helped shape a Harvard Art Museums exhibition about art in 19th-century Iran, co-curated by McWilliams, Norma Jean Calderwood Curator of Islamic and Later Indian Art at the Harvard Art Museums, and CMES Steering Committee member David Roxburgh, Prince Alwaleed Bin Talal Professor of Islamic Art History and chair of the Department of History of Art and Architecture. Read more about the exhibition and related publications in HAM's...

Emrah Yildiz is Assistant Professor of Anthropology and Middle East and North African Studies at Northwestern University. He completed his PhD in Anthropology and Middle East Studies at Harvard in 2016.... Read more about Q&A with Emrah Yildiz

On February 19, Sheida Dayani, Persian preceptor at Harvard University, participated in a panel discussion about Asghar Farhadi's Academy Award-winning film The Salesman, after a special showing at the Coolidge Corner Theatre. Dayani has worked as an interpreter for Farhadi since 2011. The discussion was moderated by Vahdat Yeganeh, founder and artistic director of Boston Experimental Theatre, and also included Somy Kim, associate teaching professor in the Department of English...

The future of America is as bright or as dark as the future of our immigrants. The battle over the travel ban echoes our history from the founding, slicing deep into the heart of American sympathies: Are refugees and migrants coming ashore to be seen as humble "guests of the nation" or as American as anyone, just for getting through the gate? In the February 9 edition of Open Source, host Christopher Lydon talks with Persian preceptor Sheida Dayani and others about the "who we are" question, between Immigration Nation and Fortress America, traversing all sorts of social, political, and historical terrains. Dayani also reads her poem "The Ordinary Man of this Neighborhood."